Call
Me: A Self-Portrait invites the visitor to touch her payphone
torso, activating Blondie’s song of the same name, reincarnated as a
siren’s call; another bar staple, the tabletop jukebox, serves as her
head. Lakich interjects herself into this tableau, discarding the artist-as-observer
role by including her actual phone number and eyes onto the torso.
